4 out of 5 The Predator franchise, much like its titular hunters, has historically stalked the cinematic landscape with stealthy, inconsistent intent. For decades, the series struggled to replicate the primal, sweaty tension of the 1987 original with Arnold Scharzenegger. Then came Dan Trachtenberg’s 2022 masterpiece, Prey , which achieved the seemingly impossible: it stripped away the noise, relocated the hunt to the raw American wilderness of 1719, and delivered a survival

⭐️⭐️⭐️⭐️⭐️ ​ As a teenager, Mary Shelley's "Frankenstein, or the Modern Prometheus" was one of the first classics I read. I loved it. I devoured it. But I was always disappointed in the various adaptations of the original book. Now we have a new take streaming on Netflix. Guillermo del Toro has always understood the inherent tragedy in the monstrous. His "Pan's Labyrinth" remains one of my all-time favourites and "The Shape of Water" a consummate tale of horror and love. His

★★★ Spoiler warning: this article contains spoilers for the film's ending. Kathryn Bigelow's long-awaited return to the geo-political thriller landscape with A House of Dynamite is a technically superb and tense piece of filmmaking. The film, currently streaming on Netflix meticulously examines the 18-minute window of chaos that follows the detection of an unattributed nuclear missile on an interception course with Chicago. Structured as a three-part, Rashomon-style narrative