4 out of 5
More than two decades after the production was first staged, the beloved musical Wicked finally makes its long-awaited transition to the big screen in the first installment of a highly anticipated two-part cinematic adaptation. The original stage production, which premiered in 2003, has captivated audiences with its imaginative retelling of the classic Wizard of Oz story, focusing on the complex relationship between Elphaba, the Wicked Witch of the West, and Glinda, the Good Witch.
With a star-studded cast and a visionary director at the helm, my expectations were high. However, in my mind a question loomed large: can Wicked capture the same magic and resonance on film as it has on stage? The musical's powerful score, memorable characters, and poignant narrative have made it a staple of modern theater, but the transition to film often poses unique challenges. The filmmakers must navigate the delicate balance of honouring the original work while also appealing to a broader audience that may not be familiar with the stage version.
For the uninitiated like me, Wicked presents an alternative history behind The Wizard of Oz’s Wicked Witch of The West. Going back to her youth, we meet her as Elphaba (Cynthia Erivo), a bright young woman ostracised by Oz society for being born with green skin. Accompanying her sister to the prestigious Shiz University, she displays magical powers that catch the attention of headmistress Madame Morrible (Michelle Yeoh). Reluctantly rooming with popular student Galinda (Ariana Grande), she slowly bonds with future Good Witch as she hopes to gain the attention of the mysterious Wizard of Oz (Jeff Goldblum).
For those who have seen the show, the film covers everything up to the first act, and from the first frame it’s nothing short of miraculous. Creating Oz in a way that has to be seen on the biggest screen possible, it’s a colourful and joyous story about embracing your difference. Director John M. Chu, who made 2021 musical adaptation In The Heights as well as 2018’s Crazy Rich Asians, proves more than up to the task of capturing the vast scale of the story while also retaining the humanity of the characters. As you would expect, the musical numbers are jaw-dropping, with the student ball scene seeing me reach for the tissues.
Perhaps one of the most appealing things about Wicked is how the story avoids the pitfalls of modern commercial cinema. Yes, it’s a spin-off of The Wizard of Oz, but this builds strongly upon the foundations of the original film. Furthermore, this Part One never feels like half a film. Regardless of the quality of next winter’s second instalment, this can be enjoyed entirely on its own merits.
Ariana Grande hasn’t done too much acting since finding stardom in the pop world, but much has been made of her love for the musical during the film’s publicity run. For once the hype should be believed: she inhabits the role perfectly as a ditzy cool girl who has a good heart beneath the self-interest. Grande isn’t afraid to look silly in the name of comedy, and makes her on-screen friendship with Elphaba heartwarmingly believable.
Erivo is also sensational, capturing the feeling of what it is to be othered, as well as the strength it takes to walk your own path. As you would expect, both Grammy winners nail the demanding musical numbers. The studio’s plan to re-release the film as a sing-along version for Christmas feels like a smart move.
It’s difficult to predict the next Les Miserables but Wicked has all the elements to become the next musical blockbuster. A love for the Broadway production and two deeply committed performances make for a spectacle that will make your heart soar and, ahem, defy gravity.
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